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Morristown Lodge No. 193 F.&A.M.

Early Legends of the Craft
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Introduction
Legends and Myths

The difference between legends and myths involves two dimensions: the degree
to which the narratives in questions are sacred, that is, emotionally
important and intensely real to the tellers; the degree to which they are
grounded in historical, geographical, and scientifically plausible (at least
at the moment when the assessment is made) reality. What separates these two
genres is the extent to which the tellers themselves assess the tales in
question as real beyond any question and culturally important, not whether
they are any more or less objectively real.
That is why myths tend to emphasize the actions and include narratives about
how the human society and other important phenomena began and their
interactions with mortals.
Legends by definition focus primarily on an historical ambiance. Not that
every important character in a legend is a real historical figure whose
objective existence can be documented; far from it. But the folks that
populate legends operate for the most part in a recognizable historical and
temporal framework rather than in the realm of once upon a time or the
dream-like world inhabited by gods and goddesses and, with some major
exceptions, are generally subject to the same constraints that affect all
life forms on this planet.
In short, the Craft narratives clearly belong to the genre of legend,
regardless of whether there are any objectively documented, historical
prototypes of Freemasons.

The legend of Lamech's Sons and the Pillars
The traditional history of Masonry now begins, in the legend of the Craft,
with an account of the three sons of Lamech, to whom is credited the
discovery of all sciences. But the most interesting part of the legend is
that in which the story is told of two pillars erected by these sons, and on
which they had inscribed the discoveries they had made, so that after the
threatened destruction of the world of knowledge which they had gained might
be handed on to the human race after the Flood. (Josephus, Antiquities of
the Jews, B. I., II, Whiston's translation).

The legend of Hermes
The next part of the legend of the Craft which claims our attention is that
which relates to Hermes, who is said to have found one of the pillars
erected by the sons of Lamech, and to have given to mankind the sciences
written on it. This story may, for distinction, be called The legend of
Hermes. As to Hermes, the legend is not altogether without some historical
support, although the story is in the legend mythical, but of that kind
which belongs to historical myth. He was said to be the son of Taut or
Thoth, whom the Egyptians made a God and placed his image beside those of
Osiris and Isis. To him they credited the invention of letters, as well as
of all the sciences, and they esteemed him as the founder of their religious
rites.

The Tower of Babel
Unlike the legend of Hermes, the story of the Tower of Babel appears in the
Halliwell poem, which shows that the legend was the common property of the
various writers of these old manuscripts. In the second of the two poems,
which as we have seen are united in one manuscript, the legend of Babel, or
Babylon, is given.

The legend of Nimrod
The universal sentiment of the Freemasons of the present day is to confer
upon Solomon, the King of Israel, the honor of being their first Grand
Master. But the legend of the Craft had long before, though there was a
tradition of the Temple in existence, given, at least by suggestion, that
title to Nimrod, the King of Babylonia and Assyria. It had credited the
first organization of the fraternity of craftsmen to him, in saying that he
gave a charge to the workmen whom he sent to assist the King of Nineveh in
building his cities.
That is to say, he framed for them a Constitution, and, in the words of the
legend, this was the first tyme that ever Masons had any charge of his
science. It was the first time that the Craft was organized into a
fraternity working under a Constitution of body of laws. As Nimrod was the
autocratic maker of these laws, it necessarily resulted that their first
legislator, creating laws with his unlimited and absolute governing power,
was also their first Grand Master.

The legend of Euclid
Having settled the foundation of Freemasonry in Babylon, the legend of the
Craft next proceeds by a quick change to tell the history of its movement
into Egypt. This Egyptian account, which in reference to the principal
action in it has been called the legend of Euclid, is found in all the old
manuscripts. This legend is the opening feature of the Halliwell poem, being
in that document the beginning of the history of Masonry; it is told with
very much detail in the Cooke MS., and is apparently copied from that into
all the later manuscripts, where the important particulars are about the
same, although we find a few things told in some which are left out of
others.

The legend of the Temple
From this account of the exploits of Abraham and his pupil Euclid, and of
the invention of Geometry, or Freemasonry in Egypt, the legend of the Craft
proceeds, by a rapid stride, to the story of the introduction of the art
into Judea, or as it is called in all of them, the land of the behest, or
the land of promise. Here it is said to have been principally used by King
Solomon in the construction of the Temple at Jerusalem. The general details
connected with the building of this edifice, and the help given to the King
of Israel, by Hiram, King of Tyre, are told either directly or at second
hand, through the Polychronicon, from the first Book of Kings, which, in
fact, is referred to in all the manuscripts as a source of information. (As
it is said in the Bible, in the third book of Kings, are the words of the
Cooke MS. In the arrangement of Scripture as then used, the two books of
Samuel were called the first and second of Kings. The third book of Kings
was then our first, according to the present practice.)

The extension of the Craft into other Countries
The legend of the Craft next proceeds to tell us how Freemasonry went into
divers countryes, some of the Masons traveling to increase their own
knowledge of their art, and others to use elsewhere abroad that which they
already possessed. But this subject is very briefly treated in the different
manuscripts.
The Halliwell poem says nothing of the progressive march of Freemasonry,
except that it details almost as an actual event the ill-use of the Four
Crowned Martyrs (Quatuor Coronati) as Christian Freemasons, in the reign of
the Roman Emperor Diocletian, and we should almost be led to believe from
the course of the poem that Freemasonry went directly into England from
Egypt. The Cooke MS. simply says that from Egypt, Freemasonry went from land
to land and from kingdom to kingdom until it got to England.
We find the later manuscripts are a little more definite, although still
brief. They merely tell us that many skilled craftsmen traveled into various
countries, some that they might acquire more knowledge and skill, and others
to teach those who had but little skill. Certainly there is nothing that is
myth or fable in this account. Every authentic history of architecture
agrees in the claim that at an early period the various countries of Europe
were traveled by bodies of builders in search of work in the building of
religious and other edifices. The name indeed of Traveling Freemasons, which
was given to them, is familiar in architectural history books.
Sufficient for the present, for us to show that in this part, as elsewhere,
the legend of the Craft is not a mere fiction, but that the general
statement of the spread of Freemasonry through-out Europe at an early period
is proved by historical evidence. When we examine the legend of the Craft,
it will be found to trace the growth of Freemasonry through its several
stages of progress from Babylon and Assyria to Egypt, from Egypt to Judea,
from Judea to France, and from France to England. Accepting Freemasonry and
the early art of building as meaning the same thing, this line of progress
will not be very different, with some necessary variations, to that assumed
to be correct by writers on architecture. But the study of this subject
belongs not to that which went before, but to the historical period of the
Society, that is based on the evidence of fully accredited records.

The legend of Charles Martel and Namus Grecus
The legend now gets near the field of authentic history, but still having
its traditional character, goes on to tell, but in a very few words, of the
entry of Masonry into France. We have this account given in the language of
the Dowland MS. Now, this legend is repeated, almost word for word, in all
the later manuscripts right up to recent times. But it is not even mentioned
in the earliest of the manuscripts - the Halliwell poem - and this proves
again that the two sets of recorded events and traditions are copied from
quite different sources. This whole subject is so closely connected with the
authentic history of Masonry, having really passed out of the pre-historic
period, that it claims a future and more detailed study in its proper place.

The legend of St. Alban
The legend of the Craft now goes on to tell of the history of the bringing
of Freemasonry into England, in the time of St. Alban, who lived in the 3rd
century. The legend referring to the first martyr of England is not
mentioned in the Halliwell poem, but it is first found in the Cooke MS., in
the following words: And sone after that come seynt Adhabell into England,
and he convertyd seynt Albon to cristendome. And seynt Albon lovyd well
masons, and he gaf hem fyrst her charges and maners fyrst in Englond. And he
ordeyned convenyent to pay for their travayle.
Later manuscripts, for some time, say nothing of St. Adhabell. When we get
to the Krause MS. in the beginning of the 18th century, we find mention of
St. Amphibalus, who is said in that document to have been the teacher of St.
Alban. But this St. Amphibalus, of which the Adhabell of the Cooke MS. is
seemingly in error in spelling, is so doubtful a person, that we may rejoice
that the later copyists have not as a rule thought proper to follow the
Cooke document and give him a place in the legend. However, the name is not
entirely mythical as we find it in the writings of Robert of Monmouth, 1140,
as well as, for example, in the William Watson MS., 1687.
A very interesting point of the legend of the Craft to which our attention
may be directed, is that referring to the organization of Freemasonry at the
city of York in the 10th century. This part of the legend is of much
importance. The prehistorical here verges so closely upon the historical
period, that the true account of the rise and progress of Freemasonry can
not be justly understood until each of these elements has been carefully
attached to the proper period. This subject will therefore get critical
attention.

The legend of York
The decline and decay of all architectural art and enterprise having lasted
for so long a period of time in Britain, the legend of the Craft proceeds to
account for its revival in the 10th century and in the reign of Athelstan.
His son Edwin called a meeting, or General Assembly, of the Freemasons of
York in the year 926, and there revived the institution, giving to the Craft
a new code of laws. Now it is impossible to attach to this portion of the
legend, absolutely and without any reservation, the taint of fiction. The
gathering of the Craft of England at the city of York, in the year 926, has
been accepted by both the Operative Freemasons who preceded the Revival in
1717, and by the Speculatives who succeeded them, up to the present day, as
a historical fact that did not admit of dispute. The two classes of the
legends - the one represented by the Halliwell poem. and the other by the
later manuscripts - agree in giving the same statement. The Cooke MS., which
holds a middle place between the two, also contains it. But the Halliwell
and the Cooke MSS., which are of older date, give more fully the details of
what may be called this revival of English Freemasonry. Thoroughly to
understand the subject, it will be necessary to compare the three accounts
given in the several sets of manuscripts.
 
Source:
Douglas Koop and J. P. Jones, the Genesis of Freemasonry, London 1978
Alber G. Mackey, Encyclopedia of Freemasonry, Chicago 1950-1966
Paul Naudon, Les Origines religieuses et corporatives de la
Franc-Mašonnerie, Paris 1972-1979
Jean-Pierre Bayard, Le Compagnonnage en France, Paris 1982
Keith B. Jackson, Beyond the Craft, Shepperton 1980-1982
Travaux de la Loge nationale de recherches Villard de Honnecourt, G.L.N.F.
the records of the Vialardi di Sandigliano Foundation Museum and Center for
History and Humaniti

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